WEKO3
アイテム
曾我蕭白筆「虎溪三笑図」の主題と表現に関する一考察
http://hdl.handle.net/10959/00005456
http://hdl.handle.net/10959/00005456426912c0-392c-4036-b9ad-face918567e3
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jinbunkagaku_30_1_37.pdf (1.1 MB)
|
|
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2022-07-05 | |||||
| タイトル | ||||||
| タイトル | 曾我蕭白筆「虎溪三笑図」の主題と表現に関する一考察 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | ソガ ショウハク ヒツ コケイ サンショウズ ノ シュダイ ト ヒョウゲン ニ カンスル イチ コウサツ | |||||
| 言語 | ja-Kana | |||||
| タイトル | ||||||
| タイトル | On Soga Shohaku’s “The Three Laughers at Tiger Ravine” | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 曾我蕭白 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 虎渓三笑 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 廬山 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 山水画 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 水墨画 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
印田, 由貴子
× 印田, 由貴子× Inden, Yukiko |
|||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Soga Shohaku made many ink paintings in his later years. “The Three Laughers at Tiger Ravine” is a standard painting at the time and it is considered to be a unique example among the numerous painting of the time. At first glance, this painting looks like a landscape, but if you look closely, it is a historical figure.Researchers have pointed out that the trick is enjoying intellectual play between the shohaku and the viewer. However, there are some peculiar ways of drawing. The style and method of drawing motifs carefully using hard contours that do not make you feel the movement of the brush is the same as the ink paintings of the same time. But the rules in the traditional landscape ink-painting are violated. Conventionally, the farther you go, the light the ink. But the farthest mountain using darker ink than the one in the foreground.The mountains, which are drawn to fill the screen, have slightly different drawing methods. Cloud smoke and trees are arranged to separate the screen. The screen is divided in this way and it is formed so that these overlap. Such a thorough screen composition is not seen in paintings with similar tricks at the same time. Such a composition is considered to be related to the theme of this painting. The drawing method was changed, and each part separated by cloud smoke and trees corresponds to the Mount Xianglu and waterfall, Wulaofeng, Torinji, etc., and each is themed. This painting is not only “The Three Laughers at Tiger Ravine”, but the whole of Lushan including it.And it is thought that these drawing methods and compositions were adopted to enable viewers who are knowledgeable about this to recall multiple themes. Multiple themes about Lushan are shown by skillful screen composition, including their relationships. |
|||||
| 書誌情報 |
ja : 学習院大学人文科学論集 en : Gakushuin University studies in humanities 号 30, p. 1-37, 発行日 2021-10-30 |
|||||
| 出版者 | ||||||
| 出版者 | 学習院大学大学院人文科学研究科 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09190791 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10398283 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
