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映画における動物の表現方法：調教とテクノロジーに注目して
http://hdl.handle.net/10959/0002002526
http://hdl.handle.net/10959/00020025266931258f-0bb6-44c8-ad22-1782e0b234db
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jinbunkagaku_31_227_253.pdf
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2023-07-14 | |||||||||||
| タイトル | ||||||||||||
| タイトル | 映画における動物の表現方法：調教とテクノロジーに注目して | |||||||||||
| 言語 | ja | |||||||||||
| タイトル | ||||||||||||
| タイトル | エイガ ニオケル ドウブツ ノ ヒュゲン ホウホウ チョウキョウ ト テクノロジー ニ チュウモク シテ | |||||||||||
| 言語 | ja-Kana | |||||||||||
| タイトル | ||||||||||||
| タイトル | Animal Representation in Film: Focus on Methods of Training and Technology | |||||||||||
| 言語 | en | |||||||||||
| 言語 | ||||||||||||
| 言語 | jpn | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 動物映画 | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 調教 | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 飼いならし | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | テクノロジー | |||||||||||
| キーワード | ||||||||||||
| 主題Scheme | Other | |||||||||||
| 主題 | 動物の権利 | |||||||||||
| 資源タイプ | ||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||
| 著者 |
中田, 真梨子
× 中田, 真梨子
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| 抄録 | ||||||||||||
| 内容記述タイプ | Abstract | |||||||||||
| 内容記述 | This article aims to discuss the technological aspects of representing animals in films. Animals have been subjects in films since The Horse in Motion shot by Eadweard Muybridge in 1878. In narrative films, filmmakers are required to control animals in front of a camera and make them look like acting. In the process, animal training technique has played an important role. However, recent films no longer need training animals because obedient animals are easily available by using CGI, animatronics, and motion capture. This article focuses on the training and technology of animals and clarifies that controlling animals in cinematography has shifted from ‘training’ to ‘taming’ by using technology. Firstly, this article surveys the method of training animals in circuses and analyzes Prof. Welton’s Boxing Cats（1894）to make clear the difference between animal training in circuses and early cinema. Secondly, this article deals with the issues of cinematography and animal rights which come to be included in the discussion of controlling of animals. The article investigates two movie series, a famous dog in the silent film era, Rin-Tin-Tin’s movie series（1922─1947）, and popular talking dogs in the early talkie era, “Dogville” comedy series（1929─1931）, focusing on the dilemma between representing animals and paying attention to animal rights. Thirdly, the article focuses on analyzing Babe（1995） that succeeded in presenting talking animals by coalescing real animals, animatronics, and CGI, and points out the characteristics of computer-generated ‘digital animals’ in film today. Through focusing on methods of training and technology of animals in films from the emergence of cinema to digital cinema, this article concludes the history of controlling animals has shifted from ‘training’ to ‘taming’. | |||||||||||
| 書誌情報 |
ja : 学習院大学人文科学論集 Gakushuin University studies in humanities 号 31, p. 227-253, 発行日 2022-10 |
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| 出版者 | ||||||||||||
| 出版者 | 学習院大学大学院人文科学研究科 | |||||||||||
| 言語 | ja | |||||||||||
| ISSN | ||||||||||||
| 収録物識別子タイプ | PISSN | |||||||||||
| 収録物識別子 | 09190791 | |||||||||||
| 書誌レコードID | ||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||
| 収録物識別子 | AN10398283 | |||||||||||
| フォーマット | ||||||||||||
| 内容記述タイプ | Other | |||||||||||
| 内容記述 | application/pdf | |||||||||||
| 著者版フラグ | ||||||||||||
| 出版タイプ | VoR | |||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||
