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ミニマリズム文学として "The Bath" を読む
http://hdl.handle.net/10959/799
http://hdl.handle.net/10959/79922426b0c-2c59-4c6e-9f86-88beac94dfcc
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jinbunkagaku_5_81_91.pdf (389.1 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-03-15 | |||||
| タイトル | ||||||
| タイトル | ミニマリズム文学として "The Bath" を読む | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | ミニマリズム ブンガク トシテ THE BATH オ ヨム | |||||
| 言語 | ja-Kana | |||||
| タイトル | ||||||
| タイトル | Reading "The Bath" as Minimalist Literature | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
村松, 美映子
× 村松, 美映子× Muramatsu, Mieko |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | Raymond Carver is regarded as a great minimalist writer in the 1980s。 Some critics claim that minimalism， in general， is boring because it lacks author expression and emotion． And．we are sometimes confused about how to interpret“The Bath．” “Minimalism”is a term originally u．sed to explain a movement in American painting and sculpture from the 60s onward． The common properties between minimal painting and sculpture， and literature are that the relation・ ship among the appreciator， the work， and things unexpressed is of great importance． On the surface，1ittle is expressed；the appreciator’s imagination of what is left unexpressed is required． In other words， active reading is inevitable in minimalist literature． Reading“The Bath”from this stalld・ point， we realize this is a full work of art． The content of the first half of“A Small Good Thing”is similar to that of“The Bath”；however， in“A Small Good Thing，”the reader’s interpretation is limited because of Carver’s authoritative lead． So， the role of the reader in the two stories is completely different． Thus， minimalism is not at all a trivial literary movement， but， rather， a highly significant movement， Carver is a distinguished minimalist writer who can， with his acute sensitivity， project the weirdness of daily life to the reader， subtly but explicitly， without full expression of it． | |||||
| 書誌情報 |
ja : 学習院大学人文科学論集 en : Gakushuin University studies in humanities 号 5, p. 81-91, 発行日 1996-09-30 |
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| 出版者 | ||||||
| 出版者 | 学習院大学大学院人文科学研究科 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09190791 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10398283 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| URI | ||||||
| 識別子 | http://hdl.handle.net/10959/799 | |||||
| 識別子タイプ | HDL | |||||
