WEKO3
アイテム
『復讐者の悲劇』 に於ける復讐
http://hdl.handle.net/10959/795
http://hdl.handle.net/10959/795494ad3e7-0300-41e3-a7c3-5b7706a2c090
名前 / ファイル | ライセンス | アクション |
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Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2012-03-15 | |||||
タイトル | ||||||
タイトル | 『復讐者の悲劇』 に於ける復讐 | |||||
言語 | ja | |||||
タイトル | ||||||
タイトル | フクシュウシャ ノ ヒゲキ ニオケル フクシュウ | |||||
言語 | ja-Kana | |||||
タイトル | ||||||
タイトル | View of Revenge in The Revenger's Tragedy | |||||
言語 | en | |||||
言語 | ||||||
言語 | jpn | |||||
資源タイプ | ||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
資源タイプ | departmental bulletin paper | |||||
著者 |
間瀬, 裕子
× 間瀬, 裕子× Mase, Yuko |
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抄録 | ||||||
内容記述タイプ | Abstract | |||||
内容記述 | The Revenger’s Tragedy, published anonymously in 1607, and from 1656 ascribed to Cyril Tourneur, belongs to the genre of revenge tragedy. It is a dramatic genre that flourished in the late Elizabethan and Jacobean period and its theme is, needless to say, ‘revenge,. There are two revengers in this play. Young Vindice, a hero, thinks that it is right to materialize his desire for revenge for himself. His atitude is supported by the new sense of values. On the other hand,01d Antonio has the opinion that human being does not have a right to revenge himself. He follows the old sense of values based on conventional Christian ethics. Their contrary at. titudes reflects contemporary social condition that there is a double standard of revenge. In case of this play, unlike other revenge tragedies, Vindice the revenger who is usually in the situation of gaining the sympathy of a large audience is executedb y Antonio who embodies the cunningness and conservativeness. It is the negative reaction toward the hero’s search for justice. As a result, the audience is taken away catharsis. We can guess that the author of The Revenger’s Tragedy was skeptical about the new sense of values embodied by Vindice. However, in the world of this play, it is the sterile old men who are left alive. It make the audiences’eyes severely critical and sneerful. The world of this play which presented at the Iast scene and the eyes of the audiences make this play gloomy. The gloominess is one of the typical elements of Jacobean drama. | |||||
書誌情報 |
ja : 学習院大学人文科学論集 en : Gakushuin University studies in humanities 号 4, p. 83-95, 発行日 1995-09-30 |
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出版者 | ||||||
出版者 | 学習院大学大学院人文科学研究科 | |||||
言語 | ja | |||||
ISSN | ||||||
収録物識別子タイプ | PISSN | |||||
収録物識別子 | 09190791 | |||||
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収録物識別子タイプ | NCID | |||||
収録物識別子 | AN10398283 | |||||
フォーマット | ||||||
内容記述タイプ | Other | |||||
内容記述 | application/pdf | |||||
著者版フラグ | ||||||
出版タイプ | VoR | |||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
URI | ||||||
識別子 | http://hdl.handle.net/10959/795 | |||||
識別子タイプ | HDL |