@article{oai:glim-re.repo.nii.ac.jp:00005472,
 author = {古庄, るい and Furusho, Ｒｕｉ},
 issue = {30},
 journal = {学習院大学人文科学論集, Gakushuin University studies in humanities},
 month = {Oct},
 note = {application/pdf, In this paper, by focusing on the name of “tento” in Aratani tatsuru Chushingura Tento Daifukucho, the all mighty God in heaven, we emphasize the following two points: i）how the “tento” influenced other Kibyoshis; ii）what the charming points of the “tento” are.
Tento Daifukucho, one of the Kibyoshis （1786）, was written by Kisanji Hoseido. Between the late period of Anei and the Tenmei period（c.1780─1789）, as astronomical phenomena and shingaku, the learning of mind and heart, boomed and became popular, some Kibyoshis, the mighty god called “tento” or “tentei” appeared in some Kibyoshis. But the difference between “tento” or “tentei” has never been pointed so far.
By comparing the names and the appearances of “tento” and “tentei” in 24 works of Kibyoshis, we have clarified some tendencies and the transition in them.
So popular was the impressive appearance of Kisanji’s “tento” that it was so often taken up in some other Kibyoshis. Therefore, we can safely say that this “tento” had a primary place in the history of Kibyoshis.
Also in this research, we have referred to the relationship between Kisanji and Kyoden, the author of Shingaku Hayazomegusa.},
 pages = {191--222},
 title = {朋誠堂喜三二作『新建立忠臣蔵天道大福帳』論 : 「天道」に関する考察},
 year = {2021},
 yomi = {フルショウ, ルイ}
}