WEKO3
アイテム
変容するジャポニズム : 舞台作品の変遷
http://hdl.handle.net/10959/00005104
http://hdl.handle.net/10959/0000510462bdcdb1-a013-4693-ab0c-ca3aa8fab49f
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jinbunkagaku_25_307_332.pdf (597.3 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-09-25 | |||||
| タイトル | ||||||
| タイトル | 変容するジャポニズム : 舞台作品の変遷 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | ヘンヨウ スル ジャポニズム ブタイ サクヒン ノ ヘンセン | |||||
| 言語 | ja-Kana | |||||
| タイトル | ||||||
| タイトル | Transforming Japonisme : stage work transition | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 演劇 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | ジャポニズム | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 蝶々夫人 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 日本 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 模倣 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
多和田, 真太良
× 多和田, 真太良× Tawata, Shintaryo |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | From the end of the 19th century to the beginning of the 20th century, stage works representing at Japan have been manufactured in the United States and Europe. But now many of these are not known. These work groups can be named “Japonisme work”, which can be divided into two types. The fi rst one, in the style of a conventional theater, and visual elements such as costume and stage equipment, has been directing the “Japanese-ness”, such as music and songs to those of Japan it is intended. This is typifi ed “Mikado” by Gilbert and Sullivan and “Madame Butterfl y” by Puccini. In order to adopt a superfi cial “Japanese-ness”, authors were incorporated the sound of Japanese and names real Japanese name to their work. The other is the style of traditional Japanese theater that brought to the Western theater. When it comes to Japanese artists are many visit the United States and Europe, another authors were attracted that mimics the style of traditional Japanese theater including “Noh”. Such as written by Yeats “At the Hawk’s well” is an example. Before long, theater theorists who strongly interested in the style of these Japanese theater, Japanese theater was considered to be an important element in order to build the 20th century avant-garde theater. To investigate the forgotten “Japonisme play” is very important in considering the mechanism of imitation in the theater. | |||||
| 書誌情報 |
ja : 学習院大学人文科学論集 en : Gakushuin University studies in humanities 号 25, p. 307-332, 発行日 2016-10 |
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| 出版者 | ||||||
| 出版者 | 学習院大学大学院人文科学研究科 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09190791 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10398283 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
