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曾我蕭白筆《寒山拾得図屏風》（個人蔵）について
http://hdl.handle.net/10959/00005094
http://hdl.handle.net/10959/0000509432897d9d-2c1e-403f-ae55-ee6b863f9936
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jinbunkagaku_25_1_33.pdf (765.1 kB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2018-09-25 | |||||
| タイトル | ||||||
| タイトル | 曾我蕭白筆《寒山拾得図屏風》（個人蔵）について | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | ソガ ショウハク ヒツ カンザン ジットク ズビョウブ コジンゾウ ニ ツイテ | |||||
| 言語 | ja-Kana | |||||
| タイトル | ||||||
| タイトル | On Soga Shōhaku’s “Hanshan and Shide screens” | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 曾我蕭白 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 寒山拾得 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 寒山詩 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 賛 | |||||
| キーワード | ||||||
| 主題Scheme | Other | |||||
| 主題 | 白隠慧鶴 | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
江崎, ゆかり
× 江崎, ゆかり× Ezaki, Yukari |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | From the meticulous and delicate rendering of the landscape to the depiction of the scroll and broom associated with Hanshan and Shide, Soga Shōhaku’s “Hanshan and Shide screens” is considered to be a unique example among the numerous paintings on this theme. However, to date, there has been no scholarship that discusses the idiosyncrasies of this painting.This paper examines the development of visual representations of “Hanshan and Shide” by comparing images of this theme to textual resources such as the “Hanshan’s Poetry”, Lu Jiuyin’s preface of the “Hanshan’s Poetry”, and inscriptions by Zen monks. This comparison questions the connections between text and image and looks at how Hanshan and Shide were visually interpreted. There are many extant inscriptions on Hanshan and Shide that reveal diverse images of the two fi gures,among them, an inscription by the Nanboku period Zen monk, Chūgan Engetsu. Focusing on Chūgan’s text, I demonstrate that Shōhaku appropriated the depictions of Hanshan and Shide from this source and incorporated it into his own painting.Besides text, I explore the relationship between Shōhaku’s “Hanshan and Shide screens” and the mid-Edo period Zen monk, Hakuin Ekaku’s Zenga （“Zen paintings”）. Scholars have discussed the infl uence of Hakuin’s paintings on Shōhaku’s works. For instance, they have pointed out the similarities in brushstroke between Shōhaku’s “The Four Sages of Mount Shang”, currently in the Museum of Fine Arts, Boston, and Hakuin’s “Daruma”. However, Hakuin’s paintings could have been just one of many visual sources that Shōhaku used.Based on the textual and visual sources above, my paper attempts to re-position Shōhaku’s “Hanshan and Shide screens” within the genre of Hanshan and Shide paintings. |
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| 書誌情報 |
ja : 学習院大学人文科学論集 en : Gakushuin University studies in humanities 号 25, p. 1-33, 発行日 2016-10 |
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| 出版者 | ||||||
| 出版者 | 学習院大学大学院人文科学研究科 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09190791 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10398283 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
