{"created":"2023-05-15T14:23:38.346269+00:00","id":4638,"links":{},"metadata":{"_buckets":{"deposit":"67fd5928-1003-41b5-ba5c-0d2d8beabcea"},"_deposit":{"created_by":15,"id":"4638","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"4638"},"status":"published"},"_oai":{"id":"oai:glim-re.repo.nii.ac.jp:00004638","sets":["1253:1363:38:955"]},"author_link":["41461","41462"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-03","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"17","bibliographicPageEnd":"23","bibliographicPageStart":"1","bibliographic_titles":[{"bibliographic_title":"人文","bibliographic_titleLang":"ja"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"十七世紀の日本において、西欧への輸出磁器の中核を担ったのは、白くなめらかな素地に鮮やかな色彩が映える一群であった。西欧の王侯貴族たちを魅了したこの磁器は、「柿右衛門様式」といわれる。　「柿右衛門様式」とは、十七世紀後期の肥前磁器における一様式をさす総称で、特に、色彩や構図など絵付けに特色がみられる。　本稿では、一般的にこの様式とされる作例をとりあげ、（1）色彩、（2）線描、（3）構図、（4）素地の四つの観点から分析し、絵付けを構成する要素や特色について考察した。そして、類例作品も取り上げ、その絵付けについても分析し比較検討した。その結果、これらの作品にみられる特徴が浮かびあがり、その図様に需要があったことを提示した。　また、「柿右衛門様式」の研究史における絵付けの重点が濁手にあることを再確認した。しかし、重要なのは濁手素地そのものだけではない。素地と絵付けが相互関係にあるからこそ、このような作例が成立するのだと考える。","subitem_description_type":"Abstract"},{"subitem_description":"In 17th-century Japan the core of the exported porcelain to Western Europe was a group with bright colors shining on a smooth white foundation. This porcelain that fascinated Western European aristocrats is called the “Kakiemon style.” 　The “Kakiemon style” is a general term referring to a style of Hizen porcelain in the late 17th century; in particular, features such as color and composition are seen. 　In this paper, we have taken up examples of this style in general and analyzed from four viewpoints （color, brushwork, composition, and foundation ）, and we examined the elements and features that make up the painting. Also, we picked up case studies, analyzed their paintings, and compared them. As a result, the features seen in these works emerged, suggesting that there was demand in the figure. 　Also, we reconfirmed that the emphasis on painting in the historical research of “the Kakiemon style” is in Nigoshide. However, it is not only Nigoshide itself that is important. We think that such an example will be established because the foundation and the painting are in a mutual relationship.","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"学習院大学人文科学研究所","subitem_publisher_language":"ja"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11841726","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18817920","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"松浦, 里彩","creatorNameLang":"ja"},{"creatorName":"マツウラ, リサ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"41461","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Matsuura, Lisa","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"41462","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-06-04"}],"displaytype":"detail","filename":"jinbun_17_1_23.pdf","filesize":[{"value":"5.0 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"jinbun_17_1_23.pdf","objectType":"fulltext","url":"https://glim-re.repo.nii.ac.jp/record/4638/files/jinbun_17_1_23.pdf"},"version_id":"5533ce66-daba-46d9-bc83-d436628d0214"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"「柿右衛門様式」の絵付けに関する一考察 : 作品分析を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"「柿右衛門様式」の絵付けに関する一考察 : 作品分析を中心に","subitem_title_language":"ja"},{"subitem_title":"カキエモン　ヨウシキ　ノ　エツケ　ニ　カンスル　イチコウサツ　サクヒン　ブンセキ　オ　チュウシンニ","subitem_title_language":"ja-Kana"},{"subitem_title":"A study on Kakiemon style of painting : Focusing on work analysis","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"15","path":["955"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2019-06-04"},"publish_date":"2019-06-04","publish_status":"0","recid":"4638","relation_version_is_last":true,"title":["「柿右衛門様式」の絵付けに関する一考察 : 作品分析を中心に"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-08-10T03:18:19.225130+00:00"}