{"created":"2023-05-15T14:23:38.074964+00:00","id":4632,"links":{},"metadata":{"_buckets":{"deposit":"aa3d163f-3bf9-48f9-a08a-7c43a6e9ac41"},"_deposit":{"created_by":15,"id":"4632","owners":[15],"pid":{"revision_id":0,"type":"depid","value":"4632"},"status":"published"},"_oai":{"id":"oai:glim-re.repo.nii.ac.jp:00004632","sets":["1253:1363:38:955"]},"author_link":["41477","41478"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2019-03","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"17","bibliographicPageEnd":"92","bibliographicPageStart":"63","bibliographic_titles":[{"bibliographic_title":"人文","bibliographic_titleLang":"ja"}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"大正から昭和にかけて新版画（板画）運動を主導した渡邉庄三郎（1885～1962）は、伝統的な木版画技術を用いながら、海外市場にも目を向けた新作版画を企画し、出版した。そこで花鳥画の分野を制作したのが、小原古邨（祥邨，1877～1945）である。美人画や役者絵、風景画などの他のジャンルと比べて、古邨の花鳥版画はアメリカの展覧会で最も多く注文を受けた。当時も現在も海外では高い人気があるのに対して、国内では古邨の名前は殆ど知られていない。古邨が主に海外向けの花鳥画を制作していたことが理由の一つである。　本論文では、渡邊が出版した古邨の作品を中心に扱い、1930年代のアメリカにおける美術状況をふまえた上で、なぜ古邨の花鳥版画が海外で広く求められたのかを考察する。","subitem_description_type":"Abstract"},{"subitem_description":"Shinhanga（ lit. new print）was an art movement, that gained momentum in the Taisho¯ and the early Shōwa periods. Initiated by Watanabe Shōzaburō（1885┉1962）, it revived Edo period traditional nishiki-e （multicolor woodblock prints）production practices based on the collaboration of a designer, a carver and a printer. Watanabe envisioned shinhanga prints produced for the foreign art markets in North America and Europe. Ohara Koson（Sho¯son, 1877┉1945）was charged with the production of kachōga or images of flowers and birds. Interestingly, in comparison with other shinhanga designers, who specialized in images of beauties, images of actors or landscapes, Koson’s kachōga were the most sought after prints in North America. Although very popular abroad during his times and today, Koson remains little known and little studied in his homeland. 　In this study, I will focus on Koson（Shōson）’ s works published by Watanabe Shōzaburō. I will investigates contemporary American artistic context in order to understand why Koson’s kachōga were in such high demand abroad. I will also study kachōga works produced in Japan from the late Meiji to the early Shōwa period to understand what kinds of objects were envisioned by Watanabe as kachōga “export” prints.","subitem_description_type":"Abstract"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"学習院大学人文科学研究所","subitem_publisher_language":"ja"}]},"item_10002_source_id_11":{"attribute_name":"書誌レコードID","attribute_value_mlt":[{"subitem_source_identifier":"AA11841726","subitem_source_identifier_type":"NCID"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"18817920","subitem_source_identifier_type":"PISSN"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"庵原, 理絵子","creatorNameLang":"ja"},{"creatorName":"イハラ, リエコ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"41477","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"Ihara, Rieko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"41478","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2019-06-04"}],"displaytype":"detail","filename":"jinbun_17_63_92.pdf","filesize":[{"value":"2.8 MB"}],"format":"application/pdf","licensetype":"license_note","mimetype":"application/pdf","url":{"label":"jinbun_17_63_92.pdf","objectType":"fulltext","url":"https://glim-re.repo.nii.ac.jp/record/4632/files/jinbun_17_63_92.pdf"},"version_id":"562db271-2208-4db3-8ff2-c0b7e169be81"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"小原古邨の花鳥版画について : 1930年代のアメリカにおける受容を中心に","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"小原古邨の花鳥版画について : 1930年代のアメリカにおける受容を中心に","subitem_title_language":"ja"},{"subitem_title":"オハラ　コソン　ノ　カチョウ　ハンガ　ニツイテ　1930ネンダイ　ノ　アメリカ　ニオケル　ジュヨウ　オ　チュウシン　ニ","subitem_title_language":"ja-Kana"},{"subitem_title":"The Reception of Ohara Koson’s kachōga in North America in the 1930s.","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"15","path":["955"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2019-06-04"},"publish_date":"2019-06-04","publish_status":"0","recid":"4632","relation_version_is_last":true,"title":["小原古邨の花鳥版画について : 1930年代のアメリカにおける受容を中心に"],"weko_creator_id":"15","weko_shared_id":-1},"updated":"2023-08-10T03:18:05.483973+00:00"}