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声のエクリチュール : 文学作品の中にみられる音声の複製について
http://hdl.handle.net/10959/1691
http://hdl.handle.net/10959/169170523b77-c92d-4040-9087-9479ec4330bd
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jinbunkagaku_8_47_60.pdf (447.4 kB)
Restricted Access
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学内限定
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| Item type | 紀要論文 / Departmental Bulletin Paper【学内限定】(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-03-15 | |||||
| タイトル | ||||||
| タイトル | 声のエクリチュール : 文学作品の中にみられる音声の複製について | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | コエ ノ エクリチュール ブンガク サクヒン ノ ナカ ニ ミラレル オンセイノ フクセイ ニ ツイテ | |||||
| 言語 | ja-Kana | |||||
| タイトル | ||||||
| タイトル | Voiced ecriture : On the simulation of the recorded voices in literature | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
内田, 均
× 内田, 均× Uchida, Hitoshi |
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| 出版者 | ||||||
| 出版者 | 学習院大学大学院人文科学研究科 | |||||
| 言語 | ja | |||||
| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | In so far as the media environment of our modern world is concerned， we could say that there are various phases in social or personal realities・Since the act of communication through the media degrades information or might even change the content of meaning， such realities are intrinsically linked to their respective media． As Walter Ong pointed out， electronic technology has brought us into the age of‘secondary orality．’While this new orality has resemblances to‘primary orality’in its participatory mystique and its fostering of a communal sense， it promotes spontaneity through analytic reflection based on the use of writing and print， Then how can we perceive restricted realities through the electronic media P Our concern is to consider the effect and the role of the sound media in literature， We examine the subject under the following heads：（1）aphonograph note as amystery left by a dead wife in Arthur Conan Doyle’s“The Japanned Box”；（2） the gradational realities of one person in Samuel Beckett’s Krap？）’s Last Tape； and（3）an editorial designer on a future event in Muriel Spark’s IV∂t to Disturb． The first fiction suggests restructuring the possibility of such a socialized l medium as a phonograph． The second is a play in which the voices in the tape recorder and a player’s voice conf1孟ct one another， evoking subtle gradation of realities． The third fiction shows the exaggerated process through which privi一 leged information is transposed into economic terms． These three works have some special effects in common． Namely each sound medium in these fiction has the unique purposes which foreground the function of socialized media again in our real world． Literature as a medium brings to light our confined sense of realities caused by new various electric or electronic media． | |||||
| 言語 | en | |||||
| 書誌情報 |
ja : 学習院大学人文科学論集 en : Gakushuin University studies in humanities 号 8, p. 47-60, 発行日 1999-09-30 |
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| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09190791 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10398283 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| URI | ||||||
| 識別子 | http://hdl.handle.net/10959/1691 | |||||
| 識別子タイプ | HDL | |||||
