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江戸時代文学と中国文学 : 反朱子学の系譜 (近世の芸文と中国)
http://hdl.handle.net/10959/2763
http://hdl.handle.net/10959/2763a01239e4-6ec4-4901-8af4-4b78efad13db
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
chosakenkyu_20_1_21.pdf (1.3 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2013-03-15 | |||||
| タイトル | ||||||
| タイトル | 江戸時代文学と中国文学 : 反朱子学の系譜 (近世の芸文と中国) | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | エド ジダイ ブンガク ト チュウゴク ブンガク ハン シュシガク ノ ケイフ キンセイ ノ ゲイブン ト チュウゴク | |||||
| 言語 | ja-Kana | |||||
| タイトル | ||||||
| タイトル | LITERATURE IN THE EDO ERA AND CHINESE LITERATURE : GENEALOGY OF THE DOCTRINES AGAINST CH'U-TZ'U | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
諏訪, 春雄
× 諏訪, 春雄× Suwa, Haruo |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | The Ming era in Chinese history and the Edo er早in Japan have much in common． Originally， the society of the Ming era was based on crop production． In the latter half of the era， however， society changed greatly as a monetafy economy which was mainly based on silver developed there． Cities grew and fostered the growth of new culture among the Cltlzens． In the Edo・era eighteenth century， about two centuries after the Ming era， important Japanese cities like kyoto， Edo， and Osaka grew and produced their individual cultures． Rural communities which were divided into two classes， large Iandowners and petty farmers， became involved in a mercantile economy， and the people of the latter class left their lands and flowed into the cities． Asudden rise of the doctrines of Wang Yang－ming resisting the authority of the doctrines of Ch’u・tz’u was the most dramatic event in the Chinese realm of thought in the Ming era． The doctrines of Wang Yang－ming also had a great infIuence on the Japanese thought and literature of the Edo era， and diversified the culture of that time． Toju Nakae， who was known as“Saint Ohmi”， is famous as the丘rst Japanese thinker influenced by the doctrines of Wang Yang－ming． Toju started his career as an earnest scholar of the Ch’u－tz’u schoo1． As he engaged in severe self・criticism and meditation， and as his own preference for classical writings changed from the Four Chinese Classics to the Nine Chinese Classics， he began to be discontended with the rational thinking of Ch’u・tz’u，and at the age of 37，he took up The Complete 1）octrines of Wang Yang－ming（『陽明全書』）becoming a scholar of the Wang Yang－ming school． Later， a new Japanese school rejected the doctrines of・Wang Yang－ming， but was in fact sometimes influenced by them， as close inspection reveaIs． Also influenced was thought founded with no ostensible reference to the doctrines． Such schoIars of“the school of classical studies”． as Soko Yamaga， Jinsai Ito（a scholar of etymology）， and Sorai Ogyu（a scholar of old rhetoric）are the representatives of the new school． They had no regard for the schools of the Hang， Tang， Sung， and Ming periods， like the doctrines of ch’eng－ch’u（程朱）and those of wang Yang・ming， and insisted on the direct study of the originals of Confucius and Mencius． But， as we look into their scholastic careers and analyze their ultimate philosophy， we can recognize here the influence of the doctrines of Wang Yang・ming． The relationship between the doctrines of Wang Yang－ming and the practical ethics of school of Baigan lshida is noticeable． The doctrines of the latter which were characterized by a social movement for enlightening modern citizens were established by Baigan Ishida， and succeeded by Kisui Kamikawa（上河漠水）and Doji NaKazawa（中沢道二）． Baigan’s thought is not based only on the doctrines of Ch’u－tz’u， nor on those of Wang Yang・ming， but， in its ultimate form， it is clear that his thought is under the influence of the’1atter’s doctrine． As has been shown， we carl view the main stream of thought in the Edo era as two oPPosing doctrines，‘‘Ch’u・tz’u”and‘‘anti－Ch’u・tz’u”． In response to such a shift of thought， and oPPosed to the theory of political justice in the dQctrines of Ch’u・tz’u， there apPeared aliterary viewpoint which insisted on the superiority of the world of sensibility that is peculiar to literature， and which esteemed emotion， The literary view which made much of emotion had been a traditional Japanese idea， which was rationalized under the influence of the Chinese poetics， especially by Soroshiwa（『槍浪詩話』）written at the end of the Southern Sung period． | |||||
| 書誌情報 |
ja : 調査研究報告 号 20, p. 1-21, 発行日 1986-03 |
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| 出版者 | ||||||
| 出版者 | 学習院大学東洋文化研究所 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09196536 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN00146626 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| URI | ||||||
| 識別子 | http://hdl.handle.net/10959/2763 | |||||
| 識別子タイプ | HDL | |||||
