@article{oai:glim-re.repo.nii.ac.jp:00001687,
 author = {尾本, 師子 and Omoto, Noriko},
 issue = {13},
 journal = {学習院大学人文科学論集, Gakushuin University studies in humanities},
 month = {Oct},
 note = {application/pdf, Oeshis　were　painters　who　were　emloyed　by　government　of　Edo．　Oeshi’had　two　classes：Oku－eshi（Back－painters，　or painters　belonging　to　the　shogun’sprivate　area　in　Edo　Castle）and　OmoIe－eshi（Front－painters，　or　painters　belonging　to　the offical　area）．　The　distincion　between　Oku（back）and　Omote（front）was　very　important　in　spatial　meaning　as　well　as　in hierarchy　in　Edo　Castle．　The　nearer　to　shogun，　the　powe㎡ful　in　court　politics．　Bureaucrats，　monks，　servants　were　also divided　into　two　lanks　by　Oku／Omote　line． 　　They　drew，　beside　various　daily　works，　special　kind　of　picture　called‘‘Seldga”．　Sekiga　were　performance　in　which　a painter　draws　some　pictures　before　the　audiences　who　were　usual．ly　his　patron　or　patron’s　guests． 　　Sekiga　was　a　popular　attraction　in　the　gatherings　of　upPer　classes　in　Edo　and　Meiji　period．　ln　the　case　of　Oeshis，　Sekiga meaned　special　meaning　because　their　audience　were　usually　of　very　high　rank　including　Shogun．　Performances　of Sekiga　were　also　related　to　the　distinction　between　Oku　and　Omote．},
 pages = {1--40},
 title = {幕府御用としての席画について},
 year = {2004},
 yomi = {オモト, ノリコ}
}