@article{oai:glim-re.repo.nii.ac.jp:00001685,
 author = {可児, 洋介 and Kani, Yosuke},
 issue = {19},
 journal = {学習院大学人文科学論集, Gakushuin University studies in humanities},
 month = {Oct},
 note = {application/pdf, This essay not only disregards privileged signifiant which is called newtype in Mobile Suit Gundam as a tear of text, but also captures it as a field in which some different discourse were intermingling, and argues its various aspects. 　Concretely, this essay not only reduces that concept to the intention of the Tomino Yoshiyuki’s author-subject, but also connects it to wide-ranging contemporary situation, furthermore, discloses the generation-strife of its consumers which had a estrangement between the literary-cultural generation and the visual-cultural generation. Moreover, it confirms the birth of the imagined communities which consist of peculiar to “accepter-creater” of a limited animation, and states that such events symbolized a shift between meaning and sense or between stories and databases, and suggests that they（newtypes）born then have supported supply and demand of real-robot-anime which is like Super Dimension Fortress Macross and Neon Genesis Evangelion.},
 pages = {275--302},
 title = {想像の共同体としてのニュータイプ : 『機動戦士ガンダム』をめぐる同時代言説},
 year = {2010},
 yomi = {カニ, ヨウスケ}
}