@article{oai:glim-re.repo.nii.ac.jp:00001676,
 author = {赤津, ちひろ and Akatsu, Chihiro},
 issue = {16},
 journal = {学習院大学人文科学論集, Gakushuin University studies in humanities},
 month = {Oct},
 note = {application/pdf, Since ancient times, forests have been regarded as a mysterious or other world which has magical power that can never be understood. Forests in stories, however, are not an outer world but the representation of an inner world of human. People succeeded in accounting the forest to be an object of contemplation, and reflecting imagery in the forest. Shakespeare, in order to develop stories and characters, takes advantage of the forest representing human imagery and puts a special meaning in it. All the comedies begin with a problem and end with resolution through forests. This structure is very similar to fantasy. The forest as a fantasy world is able to grant people’s wish to escape from a sever real world and accepts whatever they desire even if that is impossible to happen. In the process of being human’s imagery, the forest has dealt with many kinds of contradictions and hold magic image. Thus the forest can be the representation of a complicated inner world of human which hope the impossible becomes the possible, the bad becomes the good, and any other incoherence.},
 pages = {47--65},
 title = {外界としての森 : シェイクスピア喜劇をテクストに},
 year = {2007},
 yomi = {アカツ, チヒロ}
}