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日本「文人画」研究ノート : 江戸中期の李漁(李笠翁)イメージに関する一考察
http://hdl.handle.net/10959/1927
http://hdl.handle.net/10959/19275036b30c-1b33-4a42-81df-0097fecfc6b0
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
jinbunkagaku_8_27_52.pdf (2.2 MB)
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| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||
|---|---|---|---|---|---|---|
| 公開日 | 2012-03-15 | |||||
| タイトル | ||||||
| タイトル | 日本「文人画」研究ノート : 江戸中期の李漁(李笠翁)イメージに関する一考察 | |||||
| 言語 | ja | |||||
| タイトル | ||||||
| タイトル | ニホン ブンジンガ ケンキュウ ノート エド チュウキ ノ リ リョウ リ リュウオウ イメージ ニ カンスル イチコウサツ | |||||
| 言語 | ja-Kana | |||||
| タイトル | ||||||
| タイトル | Note on Japanese Literati painting (Bunjinga) A Consideration of Images of LI Yu in Eighteen-Century Japan | |||||
| 言語 | en | |||||
| 言語 | ||||||
| 言語 | jpn | |||||
| 資源タイプ | ||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||
| 資源タイプ | departmental bulletin paper | |||||
| 著者 |
吉田, 恵理
× 吉田, 恵理× Yoshida, Eri |
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| 抄録 | ||||||
| 内容記述タイプ | Abstract | |||||
| 内容記述 | LI YU（1611－1680）also known as LI li・weng， in presently recognized as an important dramatist and essayist in the history of Chinese literature． He was a new type of literati scholar（Chin：wenren， Jpn：δ槻痂η）．Like many others of this new type， he failed to qualify in the provincial examination， retreated to the mountain， supported himself by writing books in which he presented his own opinions， as was expected． In Japan， LI Yu was known for his manual on literati style painting（6観ガ㎎α），the Chieh－t2za yden hua－chuan． This book was highly influential in the development of Japanese literati painting． In addition， it is important to note the effect LI Yu’s various publications had on literati taste in Edo period． In order to understand how the Japanese of the midEdo period understood the lmages of”bzaniin”， I will attempt to reconstruct what k｛nd of image LI YU had in Japan by examining the reception and development of his name and works． In cons量dering the reception of the books， Chieh－t2魂yd zn hua－chuan and HSien－ch ’ing ou・chi，、乙匹z〃2㎎i－chtz二yen， it becomes apparent that when Ch｛nese literati books， carrying the popular｛zation of Chinese魏θ剛∫， were imported they become the foundation for a new orthodoxy and development in Japan． In addition， the spread of these books produced an interest in literati accoutermenta． There are no extant portraits of Li YU in China， the tradition having originated in Japan． For the people of Japan， LI YU symbolically represented the very image of a“buniin”and the works of Li Yu gave birth in Japan to the new ideal of‘‘buniin”． | |||||
| 書誌情報 |
ja : 学習院大学人文科学論集 en : Gakushuin University studies in humanities 号 8, p. 27-52, 発行日 1999-09-30 |
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| 出版者 | ||||||
| 出版者 | 学習院大学大学院人文科学研究科 | |||||
| 言語 | ja | |||||
| ISSN | ||||||
| 収録物識別子タイプ | PISSN | |||||
| 収録物識別子 | 09190791 | |||||
| 書誌レコードID | ||||||
| 収録物識別子タイプ | NCID | |||||
| 収録物識別子 | AN10398283 | |||||
| フォーマット | ||||||
| 内容記述タイプ | Other | |||||
| 内容記述 | application/pdf | |||||
| 著者版フラグ | ||||||
| 出版タイプ | VoR | |||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||
| URI | ||||||
| 識別子 | http://hdl.handle.net/10959/1927 | |||||
| 識別子タイプ | HDL | |||||
