2026-03-15T23:54:13Z https://glim-re.repo.nii.ac.jp/oai

oai:glim-re.repo.nii.ac.jp:00000744 2023-08-09T04:08:11Z 1253:1363:18:692

見ること、見えること、見せること : 『台風』 四部作とロンブローゾ=ノルダウの枠組み ミルコト ミエルコト ミセルコト タイフウ ヨンブサク ト ロンブローゾ ノルダウ ノ ワクグミ To see, To be Seen, and To Make You See : Typhoon Quartet and Lombroso = Nordau Framework 井上, 真理 37763 イノウエ, マリ Inoue, Mari 37764 application/pdf The purpose of this paper is 1) to suggest an “inner consistency” of Joseph Conrad’s set of stories (‘Typhoon’, ‘Amy Forster’, ‘Falk’, ‘To-morrow’, 1901–2), which is the recurrent pattern of the apparent coincidence between ‘physiognomy’ and ‘mind’; 2) to show its affinities with the then prevailing Lombroso = Nordau framework; and 3) to argue that Conrad whose purpose seems only to “make you see” appearances of life, either ‘to see’ or ‘to be seen’, actually problematizes our unconscious way of constructing stories. This make-you-see style opens up the possibility for an attitude towards a new literary expression and a kind of morality. departmental bulletin paper 学習院大学大学院人文科学研究科 2008-10-31 VoR application/pdf 学習院大学人文科学論集 17 161 181 Gakushuin University studies in humanities http://hdl.handle.net/10959/840 AN10398283 09190791 https://glim-re.repo.nii.ac.jp/record/744/files/jinbunkagaku_17_161_181.pdf http://hdl.handle.net/10959/840 https://glim-re.repo.nii.ac.jp/records/744 jpn