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        <datestamp>2023-08-04T04:26:44Z</datestamp>
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          <dc:title xml:lang="ja">声のエクリチュール : 文学作品の中にみられる音声の複製について</dc:title>
          <dc:title xml:lang="ja-Kana">コエ ノ エクリチュール ブンガク サクヒン ノ ナカ ニ ミラレル オンセイノ フクセイ ニ ツイテ</dc:title>
          <dc:title xml:lang="en">Voiced ecriture : On the simulation of the recorded voices in literature</dc:title>
          <jpcoar:creator>
            <jpcoar:creatorName xml:lang="ja">内田, 均</jpcoar:creatorName>
            <jpcoar:creatorName xml:lang="ja-Kana">ウチダ, ヒトシ</jpcoar:creatorName>
          </jpcoar:creator>
          <jpcoar:creator>
            <jpcoar:creatorName xml:lang="en">Uchida, Hitoshi</jpcoar:creatorName>
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          <datacite:description xml:lang="en" descriptionType="Abstract">In　so　far　as　the　media　environment　of　our　modern　world　is　concerned，　we　could 　　say　that　there　are　various　phases　in　social　or　personal　realities・Since　the　act　of 　　communication　through　the　media　degrades　information　or　might　even　change 　　the　content　of　meaning，　such　realities　are　intrinsically　linked　to　their　respective 　　media．　As　Walter　Ong　pointed　out，　electronic　technology　has　brought　us　into　the 　　age　of‘secondary　orality．’While　this　new　orality　has　resemblances　to‘primary 　　orality’in　its　participatory　mystique　and　its　fostering　of　a　communal　sense，　it 　　promotes　spontaneity　through　analytic　reflection　based　on　the　use　of　writing　and 　　print，　Then　how　can　we　perceive　restricted　realities　through　the　electronic 　　media　P　Our　concern　is　to　consider　the　effect　and　the　role　of　the　sound　media　in 　　literature， 　　　　We　examine　the　subject　under　the　following　heads：（1）aphonograph　note　as 　　amystery　left　by　a　dead　wife　in　Arthur　Conan　Doyle’s“The　Japanned　Box”；（2） 　　the　gradational　realities　of　one　person　in　Samuel　Beckett’s　Krap？）’s　Last　Tape； 　　and（3）an　editorial　designer　on　a　future　event　in　Muriel　Spark’s　IV∂t　to　Disturb． 　　The　first　fiction　suggests　restructuring　the　possibility　of　such　a　socialized l　medium　as　a　phonograph．　The　second　is　a　play　in　which　the　voices　in　the　tape 　　recorder　and　a　player’s　voice　conf1孟ct　one　another，　evoking　subtle　gradation　of 　　realities．　The　third　fiction　shows　the　exaggerated　process　through　which　privi一 leged　information　is　transposed　into　economic　terms． 　These　three　works　have　some　special　effects　in　common．　Namely　each　sound medium　in　these　fiction　has　the　unique　purposes　which　foreground　the　function of　socialized　media　again　in　our　real　world．　Literature　as　a　medium　brings　to light　our　confined　sense　of　realities　caused　by　new　various　electric　or　electronic media．</datacite:description>
          <dc:publisher xml:lang="ja">学習院大学大学院人文科学研究科</dc:publisher>
          <datacite:date dateType="Issued">1999-09-30</datacite:date>
          <dc:language>jpn</dc:language>
          <dc:type rdf:resource="http://purl.org/coar/resource_type/c_6501">departmental bulletin paper</dc:type>
          <oaire:version rdf:resource="http://purl.org/coar/version/c_970fb48d4fbd8a85">VoR</oaire:version>
          <jpcoar:identifier identifierType="HDL">http://hdl.handle.net/10959/1691</jpcoar:identifier>
          <jpcoar:identifier identifierType="URI">https://glim-re.repo.nii.ac.jp/records/3985</jpcoar:identifier>
          <jpcoar:sourceIdentifier identifierType="NCID">AN10398283</jpcoar:sourceIdentifier>
          <jpcoar:sourceIdentifier identifierType="PISSN">09190791</jpcoar:sourceIdentifier>
          <jpcoar:sourceTitle xml:lang="ja">学習院大学人文科学論集</jpcoar:sourceTitle>
          <jpcoar:sourceTitle xml:lang="en">Gakushuin University studies in humanities</jpcoar:sourceTitle>
          <jpcoar:issue>8</jpcoar:issue>
          <jpcoar:pageStart>47</jpcoar:pageStart>
          <jpcoar:pageEnd>60</jpcoar:pageEnd>
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            <datacite:date dateType="Available">2012-03-15</datacite:date>
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